Extra credit: Goffman's Theory Analysis of Casablanca movie
Casablanca is a classic 1942 American film, directed by Michael Curtiz, and is often regarded as one of the greatest films in the history of cinema. The movie is set in Casablanca, Morocco during World War II and follows the story of a cynical expatriate named Rick Blaine, played by Humphrey Bogart, and his romantic relationship with Ilsa Lund, played by Ingrid Bergman.
Erving Goffman's theory of dramaturgy offers a valuable framework for analyzing the film's characters, setting, and storyline. According to Goffman, individuals perform a certain role in a particular social context, and this performance is designed to create a particular impression on the audience. Here are several elements of Goffman's theory that can be identified in the Casablanca movie.
1. Front stage and Backstage
In the film, Rick's Cafe Americain serves as the front stage where individuals from different backgrounds come to socialize and interact. However, behind the scenes, Rick's bar serves as a backdrop for secret meetings and deals, where different characters display different behaviors in their backstage roles.
2. Role Playing
The main characters in the movie play specific roles, which help them to navigate the complex social dynamics in Casablanca. Rick's role, for example, is that of a cynical and detached businessman who is not interested in political affairs. However, this changes when Ilsa, his former lover, appears in his life. Ilsa's role, on the other hand, is that of a devoted wife, torn between her love for her husband and her feelings for Rick.
3. Impression Management
Throughout the movie, characters engage in impression management, trying to present themselves in a particular way to others. For example, Captain Louis Renault, the chief of police, wants to project an image of being in control of the situation, even though he is corrupt and susceptible to bribes. Similarly, Rick tries to maintain an air of detachment and aloofness, even though he still harbors deep feelings for Ilsa.
4. Interactional Scripts
The film also features different interactional scripts or patterns of behavior that individuals follow when interacting with each other. The scene where Rick confronts Ilsa about her past relationship with him is an example of this. Rick's script involves being angry and resentful, while Ilsa's script involves being apologetic and pleading for forgiveness.
Overall, Casablanca is an excellent example of how Goffman's theory of dramaturgy can be applied to analyze complex social dynamics in a film. The different elements of Goffman's theory that are present in the movie help to create a rich and engaging narrative that has stood the test of time.
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